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More old-fashioned dance music today, but unlike a Minuet, a Bourrée (pronounced "boo-ray") is in duple time (ONE two, ONE two) – similar to a Gavotte. Still, like our Minuet and Trio on Day 36, this set of two Bourrées is again made on an overall A B A pattern.
Born in Venice on the day of an earthquake, Italian composer Antonio Vivaldi (1678 -1741) is regarded as one of the greatest composers of the Baroque era, and during his lifetime he was famous across Europe. He composed many instrumental works, especially for string instruments - many of which were written for girls at the orphanage in Venice, whose musical skill improved their marriage prospects at a time when there were few other options for women. He also wrote a large amount of church music, and more than forty operas. His best-known work is the series of violin concertos known as the Four Seasons - we featured "Spring" earlier in this series.
Vivaldi wrote a set of six cello sonatas (works for a solo instrument, usually with accompaniment by a keyboard) between 1720 and 1730. All of them have four alternating slow and fast movements (separate pieces); this is the second movement of the third sonata.
A native of Baltimore, Donald Waxman met his wife Jho at the Peabody Conservatory, and shortly after graduation the couple founded a music school in Nyack, New York. Like our Day 2 composer, Kabalevsky, the Waxmans felt that musical language in the piano methods of the time was dated, and not challenging or interesting enough for 20th century students.
Mr. Waxman says, “ I wanted young students to be working in a language more varied than that of so many piano method books. I wanted students to be playing and hearing music written in a wide variety of intervals, modes and tonal and chromatic combinations that go beyond the extreme limitations of music based primarily on the triads.” We think you’ll agree that he succeeded!